ЛИнК.

Boris MINKOV
(Krastyo Sarafov National Academy of Theatre and Film Arts, Sofia)

VIENNA IN 1900 AS THE FOCUS OF BULGARIAN LITERARY HISTORY

235

Diana IVANOVA
(Paisii Hilendarski University of Plovdiv)

https://doi.org/10.69085/linc20242239

THE LANGUAGE OF DIDACTIC LITERATURE TRANSLATIONS DURING THE BULGARIAN REVIVAL (ANTON NIKOPITI'S LESSONS FOR CHILDREN)

240

Giulia ZANGOLI
(University of Macerata, Italy)
Svetlana SLAVKOVA
(University of Bologna, Italy)

https://doi.org/10.69085/linc20242257

ON THE INTERACTION BETWEEN THE LEXICAL MEANING OF THE RUSSIAN VERB TANCEVAТ’ AND VERBAL PREFIXES WITH SPATIAL MEANING

257

Ivaylo DAGNEV
(Medical University – Plovdiv)

https://doi.org/10.69085/linc20242277

45 YEARS IS NOT ENOUGH: AN IDEA THAT SHOOK THE WORLD OF LINGUISTICS

277

Miglena NIKOLCHINA
(Sofia University St. Kliment Ohridski)

https://doi.org/10.69085/linc20242301

THE INFINITY-POINT. GENESIS OF SOME CONCEPTS IN JULIA KRISTEVA’S EARLY WORK

301

Alexander KIOSSEV
(Sofia University St. Kliment Ohridski)

https://doi.org/10.69085/linc20242332

ANDREY PLATONOV: BIOGRAPHY AND AUTOTEXTUALITY

332

Matthias FREISE
(University of Göttingen)

https://doi.org/10.69085/linc20242386

POISONOUS BOOKS

386

Tatyana ICHEVSKA
(Paisii Hilendarski University of Plovdiv)

https://doi.org/10.69085/linc20242399

WOMEN'S CELIBACY – CURSE AND/OR SENTENCE (OBSERVATIONS ON BULGARIAN PERIODICALS AND LITERATURE BETWEEN THE TWO WORLD WARS)

400

Boyko PENCHEV
(Sofia University St. Kliment Ohridski)

https://doi.org/10.69085/linc20242423

THE CINEMATIC DE-EPICISATION OF THE EPIC NOVEL. THE CASE OF TOBACCO 1962

424

Maria ENDREVA
(Sofia University St. Kliment Ohridski)

https://doi.org/10.69085/linc20242446

THE NARRATIVES ABOUT MIGRATION FROM BULGARIA AFTER 1944

446