LInC.

Kalina ZAHOVA
(independent scholar)

https://doi.org/10.69085/linc20252364

PAUL McCARTNEY'S SONG LYRICS: LITERARY AUTO-REFLEXIVITY

364

Giulia ZANGOLI
(University of Macerata, Italy)
Svetlana SLAVKOVA
(University of Bologna, Italy)

https://doi.org/10.69085/linc20242257

ON THE INTERACTION BETWEEN THE LEXICAL MEANING OF THE RUSSIAN VERB TANCEVAТ’ AND VERBAL PREFIXES WITH SPATIAL MEANING

257

Snizhana ZHYGUN
(Borys Grinchenko Kyiv Metropolitan University)

https://doi.org/10.69085/linc20251080

FANTASTIC ELEMENTS IN THE NARRATION OF PAST TRAUMA IN LISA WEEDA’S NOVEL ALEKSANDRA

81

Vanya ZIDAROVA
(Paisii Hilendarski University of Plovdiv)

https://doi.org/10.69085/LINC20241162

CLASSIFICATION AND VARIATION OF FIXED EXPRESSIONS IN BULGARIAN

162

Blagovest ZLATANOV
(University of Heidelberg)

https://doi.org/10.69085/LINC20241016

AUTHORS AND FIGHTERS, ROMANCES, COFFEE-HOUSES: SOME POLITICAL DEVELOPMENTS PRECEDING THE ENGLISH TRANSLATION OF THE NOVEL “UNDER THE YOKE”

16