LInC.

Angel MARINOV
(Agricultural University, Plovdiv)

https://doi.org/10.69085 /linc20262428

PANTOMIME AS A COMMUNICATIVE STRATEGY IN CHARLIE CHAPLIN’S SOUND FILMS AND TALKIES

429

Hristina MARKOU
(Democritus University of Thrace, Komotini, Greece)

https://doi.org/10.69085/linc20262243

THE CONCEPTUALISATION OF REBELLION IN BULGARIAN

243

John MATHEWSON
(Independent Scholar)

https://doi.org/10.69085/linc20261187

TOWARDS A FULLY CROSS-PLATFORM, UNICODE-COMPLIANT, SOFTWARE ENTRY SYSTEM FOR DIGITISATION OF OLD BULGARIAN TEXTS

187

John MATHEWSON
(Independent Scholar)

https://doi.org/10.69085/linc20261187

TOWARDS A FULLY CROSS-PLATFORM, UNICODE-COMPLIANT, SOFTWARE ENTRY SYSTEM FOR DIGITISATION OF OLD BULGARIAN TEXTS

187

Hüseyin MEVSİM
(University of Ankara)

https://doi.org/10.69085/linc20252379

IMPRESSIONS OF ISTANBUL BY DR. TODOR YANKOV – THE FIRST BULGARIAN TRAVELLER TO THE IMPERIAL CAPITAL

379

Dimitar MIHAYLOV
(St. St. Cyril and Methodius University of Veliko Tarnovo)

https://doi.org/10.69085/linc20261045

THE TALENTED AGAINST THE BLABBERMOUTHS OF THE NEIGHBOURHOOD: FLOWERS FOR THE NEIGHBOURHOOD BY IVAN DINKOV

45

Jakub MIKULECKÝ
(Institute of Slavonic Studies of the CAS, Prague)

https://doi.org/10.69085/LINC20241072

THE MYTH OF SAN STEFANO IN BULGARIAN EXILE LITERATURE AFTER 1944

72

Lyudmila MINDOVA
(Institute for Balkan Studies with Centre of Thracology of the Bulgarian Academy of Sciences)

https://doi.org/10.69085/linc20251067

THE CONCENTRIC CIRCLES OF HELL: TOTALITARIAN PSYCHIATRY IN SEVERAL LITERARY EXAMPLES

68

Boris MINKOV
(Krastyo Sarafov National Academy of Theatre and Film Arts, Sofia)

VIENNA IN 1900 AS THE FOCUS OF BULGARIAN LITERARY HISTORY

235

Boris MINKOV
(Krastyo Sarafov National Academy for Theatre and Film Arts)

https://doi.org/10.69085/linc20251094

THE NOVELS FLUGHUNDE [MEGABATS] (MARCEL BEYER) AND LICHTSPIEL (DANIEL KEHLMAN) – PATHS THROUGH THE PRESENT TO THE TRAUMA OF THE PAST

95